Several pieces of coloured material, although I am for a plain sheet* (UPCOMING ALBUM)
Another album is in the works!
Domenico Gabrielli
Jan Werner
Michael Rauter
«The 7 Ricercari by Domenico Gabrielli belong to the first pieces for cello solo, written in 1689. „Fetzen“ is a cycle of 19 short pieces for Cello and Tape by Jan St Werner and myself. Jan made a series of short sound structures that are based on my cello sounds. I wrote cello parts for each of them. One piece is about 1 min. long.» Mr. Rauter.
Michael Rauter, born 1980 in Basel, is a Berlin - based music theatre maker, composer, performer and cellist. He studied cello and chamber music in Aachen and Berlin with Hans-Christian Schweiker, Jens Peter Maintz and the Artemis Quartett. In 2006 he founded the music theatre group Solistenensemble Kaleidoskop and was its artistic director until 2016. Since 2018 he creates music theatre and performance pieces with his own Bob’s Company.
Jan St. Werner is an artist and electronic music composer based in Berlin. Best known as one half of the electronic music group Mouse on Mars, he has also pursued a solo career creating music under his own name as well as Lithops, Noisemashinetapes and Neuter River. Starting in the mid-1990s as part of Cologne’s A-Musik collective, St. Werner released a steady stream of records both as a solo artist and with Mouse on Mars. He has been collaborating with Oval’s Markus Popp as Microstoria and writing music for installations and films by visual artist Rosa Barba. During the 2000s, he acted as the artistic director for Dutch Institute for Electro Acoustic Music STEIM. In 2013, St. Werner released Blaze Colour Burn, the first of a series of experimental recordings called the Fiepblatter Catalogue on Thrill Jockey Records, Chicago. Werner has been a visiting lecturer at the Arts Culture and Technology ACT department of the Massachusetts Institute of Technology MIT and holds a position as a professor for Interactive Art and Dynamic Acoustic Research at the Academy of Fine Arts Nuremberg.
fiepblatter.com
mouseonmars.com
daf.adbk-nuernberg.de
(* quote by Daniil Charms)
The initial development of Backlash in the years 2018-20 was supported by the fellowship program #bebeethoven, a project of PODIUM Esslingen funded by the Federal Cultural Foundation, L-Bank and Land Baden-Württemberg.